The Piper at the Gates of Dawn

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"The Piper at the Gates of Dawn" (the debut album of Pink Floyd) was recorded at the same time as the Beatles' ground breaking "Sgt Peppers Lonely Hearts Club Band". Those who believe that "Pepper" was the album from which all creative and experimental rock music followed should give "Piper" another listen.

Syd Barret, founder member, chief composer, lyricist, lead guitarist, lead singer and without doubt the most talented and creative member of the band ever, is the force behind this magical album which is his masterpiece. It includes songs with beautiful "nursery rhyme style" melodies, supplemented by haunting lyrics which evoke an aura of the naivety and simplicity of childhood pleasures and memories, but with the threat of evil constantly lurking in this apparent paradise. Songs such as "Matilda Mother", "Flaming", "Chapter 24" and "The Gnome" have melodies that give the impression of having been sung by children since time began, while "Bike" is uncompromising in its originality and gives a frightening and eerie portrayal of latent insanity.

The opening track, "Astronomy Domine" is also a stand out track with a spacey / trippy feel. This track was later extended on the live disc of "Ummagumma".

The long intrumental "Interstellar Overdrive" was a recording which attempted to recreate what the Floyd were doing on stage at the time and is esentially a lengthy a-tonal, arhythmic and unstructured jam. I personally find it unlistenable apart from the introduction and climax at the end - I believe one had to have "been there" to get any enjoyment from it; although there are many who would call my opinion "heresy". The other instrumental "Pow r Toc h" has structure and humour and I find it altogether more pleasing.

The Roger Waters penned track "Take up thy stethoscope and walk" is mediocre - you are not going to find the roots of "The Wall" in this one!

Like all debut albums, this one is essential for any serious fan of the group. Those with no knowledge of the Barret era may hardly recognise this as Floyd, but I am nevertheless convinced that they will grow to love its charm and magic. While Syd Barret went on to create one more masterpiece "The Madcap Laughs" this remains for most Floyd fans the high point of his tragically short career.

Track Listing
1. Astronomy Domine
2. Lucifer Sam
3. Matilda Mother
4. Flaming
5. Pow R. Toc H.
6. Take Up Thy Stethoscope and Walk
7. Interstellar Overdrive
8. The Gnome
9. Chapter 24
10. Scarecrow
11. Bike

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I have an “original” US pressing LP (east coast) on the Tower record label (orange-brownish, not striped)
and the song list and order is slightly different from the UK pressings.

The US record omitted “Astronomy Domine”, “Bike”, and “Flaming”, but included “See Emily Play”,
drenched in that rich reverb that the rest of the album is known for.
 
I have an “original” US pressing LP (east coast) on the Tower record label (orange-brownish, not striped)
and the song list and order is slightly different from the UK pressings.

The US record omitted “Astronomy Domine”, “Bike”, and “Flaming”, but included “See Emily Play”,
drenched in that rich reverb that the rest of the album is known for.
I couldn't ever imagine a pressing without See Emily Play :)
 
PF was born as a psychedelic band and it's real and only leader was Syd Barrett.

Not sure I agree with that, Pink Floyd not only survived but strived without Barret, likewise they managed just fine without Waters. Gilmore IMO is Pink Floyd, without his vocals and unique style of guitar playing, there could be no pink floyd. Just my two pence worth.
 
Not sure I agree with that, Pink Floyd not only survived but strived without Barret, likewise they managed just fine without Waters. Gilmore IMO is Pink Floyd, without his vocals and unique style of guitar playing, there could be no pink floyd. Just my two pence worth.
I see your point.
 
The Pulse is one of my favorite live albums, they did the whole of dark side of the moon live from start to finish.
 
The Pulse is one of my favorite live albums, they did the whole of dark side of the moon live from start to finish.
As much as I loved it, I have to say The Wall (Live At Earls Court) has to be, in my opinion, one of the BEST live performances of all time
 
As much as I loved it, I have to say The Wall (Live At Earls Court) has to be, in my opinion, one of the BEST live performances of all time
You must be more in line with Waters than Gilmore as the Pulse is post Waters. My favorite Waters tracks are Mother from the wall and 'if' from Atom Heart.

One of my favorite Gilmore tracks, fat old sun is also on the Atom Heart album.
 
You must be more in line with Waters than Gilmore as the Pulse is post Waters. My favorite Waters tracks are Mother from the wall and 'if' from Atom Heart.

One of my favorite Gilmore tracks, fat old sun is also on the Atom Heart album.
I am definitely more in line with Waters, however I'm probably biased. I was introduced at to Pink Floyd at the age of three by my grand-dad when he showed me his DVD of Roger Waters: The Wall (Live In Berlin, 1990), and I used to watch it on repeat.

Along with that, I was shown his DVD of Roger's In The Flesh (2000) tour, Live At Pompeii and The Delicate Sound Of Thunder. I used to prefer In The Flesh (I never used to enjoy the Floyd's early music) but in recent years I have to say Pompeii is my favourite (as I now love their early music and I think it's just as good as Dark Side and WYWH).

By the way (no, I'm not going to ask which one's Pink), whatever happened to Embryo?
 
Be it "The dark side of the moon tour," "The Wall tour" or "The Pulse tour" they were all impressive for their elaborate stage setup, lighting and special effects and immersive performance.
 
No doubt that PF were and still are, to a certain point, probably the greatest live act in rockland. Live acts come and go, but their superb imagination and creativity on stage lives on. However, this extraordinary live prowess is not always followed by really good music.
 
We all just enjoy the live performances...it is as though the whole audience begins to have a hive mind connected to the music and react as a single entity....that experience cannot be described in words.
 
We all just enjoy the live performances...it is as though the whole audience begins to have a hive mind connected to the music and react as a single entity....that experience cannot be described in words.
It might simply be a case of mass hallucination [pun intended] , hehehehehe.
 
"The Piper at the Gates of Dawn" (the debut album of Pink Floyd) was recorded at the same time as the Beatles' ground breaking "Sgt Peppers Lonely Hearts Club Band". Those who believe that "Pepper" was the album from which all creative and experimental rock music followed should give "Piper" another listen.

Syd Barret, founder member, chief composer, lyricist, lead guitarist, lead singer and without doubt the most talented and creative member of the band ever, is the force behind this magical album which is his masterpiece. It includes songs with beautiful "nursery rhyme style" melodies, supplemented by haunting lyrics which evoke an aura of the naivety and simplicity of childhood pleasures and memories, but with the threat of evil constantly lurking in this apparent paradise. Songs such as "Matilda Mother", "Flaming", "Chapter 24" and "The Gnome" have melodies that give the impression of having been sung by children since time began, while "Bike" is uncompromising in its originality and gives a frightening and eerie portrayal of latent insanity.

The opening track, "Astronomy Domine" is also a stand out track with a spacey / trippy feel. This track was later extended on the live disc of "Ummagumma".

The long intrumental "Interstellar Overdrive" was a recording which attempted to recreate what the Floyd were doing on stage at the time and is esentially a lengthy a-tonal, arhythmic and unstructured jam. I personally find it unlistenable apart from the introduction and climax at the end - I believe one had to have "been there" to get any enjoyment from it; although there are many who would call my opinion "heresy". The other instrumental "Pow r Toc h" has structure and humour and I find it altogether more pleasing.

The Roger Waters penned track "Take up thy stethoscope and walk" is mediocre - you are not going to find the roots of "The Wall" in this one!

Like all debut albums, this one is essential for any serious fan of the group. Those with no knowledge of the Barret era may hardly recognise this as Floyd, but I am nevertheless convinced that they will grow to love its charm and magic. While Syd Barret went on to create one more masterpiece "The Madcap Laughs" this remains for most Floyd fans the high point of his tragically short career.

Track Listing
1. Astronomy Domine
2. Lucifer Sam
3. Matilda Mother
4. Flaming
5. Pow R. Toc H.
6. Take Up Thy Stethoscope and Walk
7. Interstellar Overdrive
8. The Gnome
9. Chapter 24
10. Scarecrow
11. Bike

View attachment 20

Stream Or Download Album
The album features a mix of blues-based rock, electronic music, and experimental sound collages, and is notable for its innovative use of sound effects and studio techniques. Although the album was not a commercial success upon its release, it has since become a cult classic and is considered to be an important influence on the development of psychedelic and progressive rock.
 
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